Framing And Preserving
Limited Edition Prints

The production method and materials of works on paper or canvas, such as the inks, paints and paper or canvas components, influence the inherent, long-term stability of the prints. Bara Gallery’s Limited Edition Prints are printed with Epson UltraChrome K3 inks which use six color inks with higher density pigments designed to increase image quality. Epson UltraChrome K3 produces higher degrees of color fidelity and uses a high-gloss Microcrystal Encapsulation resin chemistry to create prints with greater scratch resistance and reduced gloss differential. These prints are rated to resist fading up to 108 years for color prints on specific Epson papers and canvas.

The Frame

A frame should set the print off from its surroundings, creating a border between the picture and its background. The frame should not compete with the art. A frame that repeats key elements of the painting will be harmonious with the art. Many people prefer a frame that uses the background or shadow colors in the picture.  When choosing a frame, hold the frame molding near the painting and see what effect the frame and picture has upon you. The frame’s width should be in scale with the picture. This is particularly true of larger sized works --- avoid a narrow and skimpy frame. A frame should make the painting look better. The staff of a professional frame shop should be able to show you various framing options. Prints should be mounted only on archival rag backing board with neutral pH (“acid-free”). Archival tapes (hinges) and adhesives should be used for mounting. The print should never be placed in direct contact with glass or Plexiglas, otherwise dirt and dust grind into the print. No collector print should be glued, or pasted to a stiffer board or paper. Such "dry mounting" depreciates the value of the print from the collectors standpoint. This applies equally to trimming a print to fit a frame or mat. Prints often present well when matted.  Be sure to use an acid-free mat board (or "museum board").

Preserving Your Limited Edition Prints

Providing a good environment, safe handling and storage conditions are critical to preserving Limited Edition Print collections.

Relative humidity and temperature:

An environment with relatively steady cooler temperature and relatively low humidity is best. Attics, bathrooms and basements out to be avoided. Inside walls are drier than outside walls, where moisture can collect. High humidity can lead to mold growth or the development of small brown disfiguring spots in paper.

Lighting:

Most art is susceptible to damage from ultraviolet (UV) and visible light. Particularly damaging is direct sunlight. UV radiation, which is emitted by the sun and fluorescent bulbs is a particularly harsh environment and leads to fading. Filters in the glazing in frames and filters over windows and light bulbs help reduce the harmful UV rays.

Pollution, Dust, and Dirt:

The prints should be protected from dust and dirt. Keep the prints away from ozone and fumes from photocopy machines, heating systems and the like.

Storage:

Prints rolled in tubes for mailing should be flattened as soon as possible. Since acidity migrates, acidic storage materials should be avoided, e.g., cardboard, newspaper, etc.

Handling Prints:

Hands should be clean and dry before handling prints, as the oils from fingers can cause staining on the prints. Avoid having food or drinks in the area of your collection.